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25 Brilliant Foreign Movies That Hollywood Completely Overlooked

While these 25 foreign films earned praise around the world, Hollywood barely paid attention. Whether snubbed during awards season or ignored by mainstream media, each one deserved far more recognition.

The Secret in Their Eyes (2009) – Argentina

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Filmaffinity
Filmaffinity

Juan José Campanella’s gripping crime drama won the Oscar for Best Foreign Language Film, but its nuanced storytelling and emotional depth were undercut when Hollywood adapted it into a lesser 2015 remake. While the original is revered in Latin America and Spain, it didn’t find long-term visibility in the U.S., where even its Oscar win wasn’t enough to make it a household name.

The Treasure (2015) – Romania

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MUBI

Directed by Corneliu Porumboiu, "The Treasure" is a masterclass in deadpan comedy and subtle social commentary. It follows a man on a quirky quest to unearth buried treasure in his family's backyard, revealing deeper truths about post-communist Romania. Despite winning the Un Certain Regard prize at Cannes, it never gained traction in the U.S., where its slow pace and dry humor may have limited its appeal to broader audiences.

Tony Manero (2008) – Chile

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Netflix
Netflix

Set during the Pinochet dictatorship, this disturbing psychological drama by Pablo Larraín centers on a man obsessed with John Travolta's character in Saturday Night Fever. As he spirals into violence to win a TV dance contest, the film critiques both American cultural imperialism and the moral decay of dictatorship. Although it earned festival attention, Hollywood largely ignored its bold storytelling and sociopolitical edge.

A Touch of Sin (2013) – China

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Micropsia
Micropsia

Directed by Jia Zhangke, "A Touch of Sin" presents four brutal, true-story-inspired vignettes that expose the darker corners of modern China—violence, corruption, and disillusionment. Its raw depiction of societal breakdown led to censorship in its home country, and despite accolades at Cannes, it failed to secure U.S. distribution beyond the arthouse circuit, keeping it off Hollywood’s radar.

The Cow (1969) – Iran

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MUBI
MUBI

Dariush Mehrjui’s "The Cow" is widely considered the movie that launched the Iranian New Wave, telling the haunting story of a villager who loses his beloved cow and descends into madness. The picture was smuggled out of Iran to premiere at the Venice Film Festival, where it won acclaim—but its historical importance and emotional power remain relatively unknown in the West, especially to Hollywood audiences.

Waltz with Bashir (2008) – Israel

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MUBI

This innovative animated documentary by Ari Folman delves into the director’s repressed memories of the 1982 Lebanon War. Though nominated for an Oscar, it lost to "Departures" and didn’t make a lasting impression in Hollywood despite its groundbreaking style and devastating anti-war message. It remains a landmark in animated storytelling and documentary filmmaking outside the U.S. mainstream.

The Man Without a Past (2002) – Finland

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Talking Films
Talking Films

Aki Kaurismäki’s minimalist gem follows an amnesiac man who restarts his life among society’s forgotten in Helsinki. Balancing dry wit with deep compassion, the film earned the Grand Prix at Cannes and an Oscar nomination for Best Foreign Language Film. Still, its understated style and bleak humor never resonated widely in Hollywood, where it remains largely overlooked outside cinephile circles.

The Hole (1998) – Taiwan

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La Casa Encendida
La Casa Encendida

Tsai Ming-liang’s surreal musical-drama depicts two lonely neighbors trapped in a decaying apartment complex during a mysterious epidemic. Blending dystopian imagery with 1950s-style musical interludes, "The Hole" is a meditative exploration of isolation and human connection. Despite winning Best Director at the Singapore International Film Festival, it received little U.S. attention and has yet to be fully appreciated by Hollywood.

No (2012) – Chile

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Señal Colombia
Señal Colombia

Gael García Bernal stars in this sharp political drama based on the real-life ad campaign that helped end Augusto Pinochet’s regime. Directed by Pablo Larraín and shot in vintage video to match the era, "No" was nominated for Best Foreign Language Film at the Oscars but didn’t receive the same industry attention or enduring recognition in Hollywood that other political dramas have enjoyed.

The Lives of Others (2006) – Germany

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MUBI

Though it won the Oscar for Best Foreign Language Film, Florian Henckel von Donnersmarck’s chilling portrayal of East German surveillance remains strangely under-discussed in Hollywood film discourse. Its taut storytelling, exceptional performances, and moral complexity rival any American thriller, yet it hasn’t been widely celebrated or referenced in the industry outside awards season.

Sonatine (1993) – Japan

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Tomatazos
Tomatazos

Takeshi Kitano’s "Sonatine" is a violent yet poetic yakuza film that deconstructs gangster tropes with quiet introspection and bursts of brutal action. While Kitano is revered in Japan and Europe, his pictures—especially "Sonatine"—never penetrated the Hollywood mainstream, where more conventional portrayals of organized crime tend to dominate attention.

The Celebration (1998) – Denmark

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Rotten Tomatoes
Rotten Tomatoes

Directed by Thomas Vinterberg, "The Celebration" was the first Dogme 95 film and a raw, handheld takedown of family secrets and upper-class hypocrisy. It won the Jury Prize at Cannes and marked a turning point in Danish cinema, but its stripped-down aesthetic and deeply uncomfortable subject matter likely kept it from wider recognition in Hollywood, where it remains a cult favorite rather than a mainstream touchstone.

In the Mood for Love (2000) – Hong Kong

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MUBI
MUBI

Wong Kar-wai’s melancholic tale of unfulfilled love between two neighbors remains one of the most visually influential films of the 21st century. Despite near-universal critical acclaim and lasting cultural impact, it was entirely overlooked by the Oscars and never received the kind of broad industry acknowledgment that lesser American romances often do. Its absence from major Hollywood awards remains one of the Academy’s most glaring oversights.

Burning (2018) – South Korea

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MUBI
MUBI

Lee Chang-dong’s slow-burn psychological thriller, loosely based on a Haruki Murakami short story, weaves ambiguity, class anxiety, and obsession into a haunting mystery. It was shortlisted for Best International Feature at the Oscars but didn’t secure a nomination, and despite critical praise, it never reached the mainstream U.S. audience that had begun embracing Korean cinema post "Parasite."

Rams (2015) – Iceland

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The New York Times
The New York Times

Set in a remote Icelandic valley, "Rams" follows two estranged brothers—both sheep farmers—forced to cooperate when disease threatens their flock. Grim, funny, and quietly moving, Grímur Hákonarson’s film won top honors at Cannes’ Un Certain Regard but struggled to gain traction in the U.S. beyond festival circuits, even after an English-language remake failed to recapture its original charm.

The Tribe (2014) – Ukraine

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MUBI
MUBI

Directed by Myroslav Slaboshpytskiy, "The Tribe" is a daring and brutal film set in a Ukrainian boarding school for deaf students, performed entirely in Ukrainian Sign Language without subtitles or spoken dialogue. Its stark realism and immersive silence create a visceral experience unlike anything produced in Hollywood. Despite winning multiple awards at Cannes, its radical form and harsh content kept it from gaining widespread attention in the U.S.

Timecrimes (2007) – Spain

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MUBI
MUBI

Nacho Vigalondo’s mind-bending sci-fi thriller follows a man who accidentally becomes entangled in a time loop with deadly consequences. Smart, efficient, and tightly constructed, "Timecrimes" became a festival hit and earned cult status among genre fans, but Hollywood overlooked it entirely—even though it was ripe for broader exposure and a planned American remake never materialized.

Toni Erdmann (2016) – Germany

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The Cinematheque
The Cinematheque

Maren Ade’s dark comedy about a father trying to reconnect with his corporate-climbing daughter is both absurd and heartbreakingly human. Though it received an Oscar nomination and dominated critics' year-end lists, it failed to resonate beyond the arthouse crowd in the U.S. A proposed American remake starring Jack Nicholson never came to fruition, further highlighting how Hollywood struggled to process the film’s unique tone.

Wild Tales (2014) – Argentina

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El Deseo
El Deseo

Directed by Damián Szifron, this anthology film blends black comedy and social satire through six unrelated stories about revenge, injustice, and everyday madness. It was nominated for an Oscar and became a box-office hit in Argentina, yet it didn’t achieve long-lasting visibility in the U.S. market, where its genre-hopping structure may have baffled mainstream distributors.

Gomorrah (2008) – Italy

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IMDb
IMDb

Based on Roberto Saviano’s exposé of the Neapolitan Camorra crime syndicate, "Gomorrah" is a gritty, sprawling narrative that shatters the romanticized image of the mafia. Matteo Garrone’s unflinching realism was celebrated at Cannes and across Europe, but Hollywood largely sidelined it, favoring more stylized gangster stories over this brutal, documentary-like portrayal of organized crime.

The Edge of Heaven (2007) – Germany/Turkey

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MUBI
MUBI

Fatih Akin’s poignant, multilingual drama intertwines the lives of six characters across Germany and Turkey, exploring themes of grief, identity, and forgiveness. It won Best Screenplay at Cannes and received widespread acclaim in Europe, but its quiet emotional power and cross-cultural narrative didn’t translate into major Hollywood recognition, where it remains underseen despite its layered storytelling.

The Painted Bird (2019) – Czech Republic

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New Zealand International Film Festival
New Zealand International Film Festival

A harrowing and visually striking odyssey through World War II, Václav Marhoul’s "The Painted Bird" follows a young boy’s brutal journey across Eastern Europe. Shot in stark black and white and almost entirely silent, the film is unflinching in its depiction of cruelty. While it stunned festival audiences, its bleak tone and uncompromising style likely kept it out of Hollywood conversations and awards season buzz.

After the Wedding (2006) – Denmark

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MUBI
MUBI

Susanne Bier’s emotionally charged drama centers on a man who returns to Denmark for a wedding and uncovers life-altering secrets. Nominated for an Oscar, it featured powerful performances and complex moral dilemmas, yet it didn’t reach beyond niche audiences in the U.S. A 2019 American remake starring Michelle Williams failed to capture the raw intensity of the original, leaving Bier’s version underappreciated in Hollywood.

The Bothersome Man (2006) – Norway

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The New York Times
The New York Times

Jens Lien’s surreal satire about a man trapped in a disturbingly perfect city where emotions have vanished is a sharp commentary on conformity and modern alienation. With echoes of "The Truman Show" and "Brazil," it’s inventive and unsettling, but it never received proper distribution in the U.S., remaining largely unknown outside of Scandinavian and genre film circles.

Beau Travail (1999) – France

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MUBI
MUBI

Claire Denis' hypnotic reimagining of "Billy Budd" set in the French Foreign Legion is a masterclass in mood, movement, and repressed desire. With its elliptical editing and striking choreography, "Beau Travail" influenced countless filmmakers, yet it was completely bypassed by the Academy and never broke into broader U.S. awareness despite being one of the most celebrated pictures of the decade in international circles.

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